"The language of porn in expressions of love": Poet, novelist, and critic Nadia de Vries and artist filmmaker Sophie Lee discuss intimacy in the digital age

07 April 2023
07:00 PM

Nadia de Vries will also be reading from her new poetry collection, Know Thy Audience, a work that makes the reader complicit in both her aggression and her submission. Speaking—or rather, singing—as a ‘battered woman’ from a working-class neighbourhood, De Vries’ aphoristic writing belies a vengeful reversal of roles in which the author—and not her perpetrator—pulls the strings. Who is the victim in these poems? Can violence be redeemed through esthetic metamorphosis? Or can powerlessness only be transferred as fetish? Know Thy Audience investigates these questions, the extent to which a victim can share their wounds, and to what degree an audience can—sensibly, ethically—be burdened with painful knowledge.

Nadia de Vries is a novelist, critic and poet. She is the author of the critical thesis Kleinzeer (2019), and of the novel De Bakvis (2022), both published by Pluim, and two previous poetry collections, I Failed to Swoon (2021), and Dark Hour (2018) both published by Dostoyevsky Wannabe. A section of her thesis, about the image online of the dead human body is due to be published by MIT Press. She lives in Amsterdam.

Sophie Lee will also screen an excerpt from her film Ziwzih-Ziwzih-OO-OO-OO, a work that con­siders con­nec­tions be­tween the voice, tech­nology and em­bod­i­ment in order to re­trace fem­i­nist lin­eages and posit the idea of a cul­tural haunting. It features an en­semble cast of char­ac­ters from dis­parate his­tor­ical mo­ments including the in­ventor of the tele­phone Alexander Graham Bell, his deaf wife Mabel, and the Fu­ries of Greek mythology. The di­a­logue com­prises a dense net­work of quo­ta­tions, in­cluding those from Anne Carson, Wayne Koesten­baum, the 1996 movie The Craft, Pythagoras and Pierre Scha­effer, and in this way uses the per­formers as in­ter­faces with which to ‘chan­nel’ other voices, ex­ploring how rep­e­ti­tion, echoes and feed­back loops are in­herent in the nar­ra­tives we build of both the fu­ture and the past.

Sophie Lee is a former Callie's resident. She studied at the Slade School of Fine Art, London, followed by a two year residency at de Ateliers, Amsterdam. In 2018 she was a participant at Skowhegan residency, Maine. Recent exhibitions include Kunstfort Museum (Solo) (Kunstfort, NL); Royal Palace Amsterdam (Amsterdam, NL); Artists Unlimited (Solo) (Bielefeld, DE); Amsterdam Art Weekend (Amsterdam, NL); The Whitstable Biennale (Whitstable, UK); PS120 (Berlin, DE); Rogers Office (Los Angeles, USA); Yaby (Duo) (Madrid, ES); Zona Mista (Duo) (London, UK); November Film Festival (London, UK). Lee is currently supported by the Mondriaan Fonds.

"The language of porn in expressions of love" is part of a.p.'s Spring Season, a series of discussions, readings, and screenings that investigate the ever evolving relationship between literature, visual art, and technology, with a specific emphasis on both readers and writers' relationship to the screen. Each event is intended both to stand alone, and to form a dialogue with those of the other participants within the wider context of what might be loosely termed art-writing.

Please note, the event will be in English. Places are free but booking is recommended:

https://www.eventbrite.de/e/the-language-of-porn-in-expressions-of-love-nadia-de-vries-sophie-lee-tickets-509318664837